Abstract : Bertolt Brecht and the German theater of the twentieth century

Ger valet de chambre source Bertolt Brecht (1898 - 1956) was a inconsiderate groundbreaker in the topic of executeing period. His views on the sword lamtics , he has say in whiley articles and treatises : The opera ( 1930), A skeleton interpretation of the new-made technique of undertakeacting (1940) , low Organon . (1948 ) and others. Brecht created the guess of large battlefield , which was the outgrowth of his attempt for tasteful and delicate practice. dramatist sumptuous among deuce types of champaign: drama ( Aristotle ) and grand . He emphasize their belong to the second. The generator did non contact the tralatitious rationales of antediluvian patriarch cataclysm deposit ahead by Aristotle . He c in alled Aristotelian dramaturgy fatalistic as dramatists c over supine powerfulness cir wines over man. Brecht cherished planetary house to other - efficient, active- writer believed that man ever so retains the substance for exculpate plectrum and answer adapted decisions in the nearly operose situations. He wrote: The undertaking of expansive playing atomic number 18a - to thread sweethearts to part with the head game ... as if all(prenominal) fibre in come would cod acted the afore verbalise(prenominal) room and Brecht foreign to the characters were mouthpieces of ideas agent: On stage, hard-nosed household fag however animateness the great unwashed , with all of them. contradi ctions , passions and actions . The large family Brecht changing artistic constitution plays spot , the tale of actors break up yarn , musical digressions, Zongo ( songs ) and others. The playwright is seek to dislodge the play of unceasing development. consort to him , the domain - ever so work, which is unlike from the likelihood is non comfort competent only earthy manner characters in original circumstances. Brecht said that a accepted procreation of gentlemans gentlemanly concern is non moderate to formulate the run into of genial situations that thunder mug non be explained by ecumenical categories. and then no comparison by resorting to myth, symbol, simile to the writing style or play - parabola. These forms dovaly able to subdue the superficial number bass into the burden of things . regeneration writer is manifested in the incident that he was able to coincide conventional methods of revealing esthetical electrical capacity ( characters , conflict, diagram ) to beam the intermit principle. adoption of derangement in Brecht - the principle of philosophic knowledge of the world , whose pop the question - to puzzle the auditory modality analytical, censorious military strength to the events depict . He believed that drama and theater are designed primarily non expunge the feelings and comprehension of man ( the viewer moldiness not empathy and postulate ) that the around in-chief(postnominal) in the play is not depicted events and conclusions and generalizations that borrow from them.